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New Out Of Stock KORG ARP 2600 FS

KORG Official Distributor in Singapore


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Availability: Out of stock

49-Key Semi Modular Synthesis


  • 1 Year Warranty


Once, and for All

The ARP 2600 is brought back to life in a single, one-time-only production run. Now is your opportunity to own one of the most sought after and coveted instruments from the vintage synthesizer era. This limited-edition release is a loving reproduction of the 2600, handcrafted in Japan and includes USB and DIN-style MIDI connections, XLR audio outputs, plus the improved ARP 3620 Duophonic Keyboard with an added arpeggiator / sequencer. Your new ARP 2600 will arrive in a custom-branded hard shell case, complete with casters.

The ARP 2600 FS reproduces the sounds of these components at the circuit level. Under the supervision of David Friend, the co-founder of ARP Instruments, parts were carefully selected and every detail was adjusted to replicate the original unit's distinctive synthesis.

The Total Package

More than a synthesizer, the ARP 2600 is a complete sound design studio. Even today, the ARP 2600 stands as a bridge between the individual elements of modular synthesis and the immediacy of a production / performance instrument. Included are an ample supply of oscillators, envelopes, a filter and amplifier – all of the building blocks of analog synthesis. But the ARP 2600 goes even further, with a spring reverb tank and even a pair of built in monitor speakers. Also present is much of the versatility of a vintage modular system, including a ring modulation, lag and voltage processors, an envelope follower, audio preamp, a clock-able switch, noise source, a sample & hold module, signal inverters, an auxiliary mixer, and even a set of parallel-wired/multi jacks.

Normalled Pathways

Nearly every slider and switch on the ARP 2600 front panels is hard wired to specific control source. For example, the front panel controls allow the pitch of Oscillator 1 to be controlled by the keyboard (On/Off switch), the output of the Sample & Hold module (slider), the shape of the ADSR envelope generator (slider), and/or by the sine wave output of Oscillator 2 (slider), and each in varying amounts. These hardwired pathways provide massive amounts of immediate control that make excellent use of all the ARP 2600 has to offer, allowing the ARP 2600 to be played as is – no patching needed.

In true modular fashion, inserting a patch cord into the jack associated with any hardwired control overrides that internal connection, letting you create a new signal path of your choosing. As a programming aid, the detailed panel graphics clearly show the available signal routings.

Patch Bay Precision

Unlike earlier modular synthesizers that relied on bulky 6.3mm (1/4") jacks and patch cords, the ARP 2600 uses a more streamlined 3.5mm (1/8”) jack that allows for more patch points to occupy the same amount of panel space, delivering more options and more versatility.

Most of the patch points are arranged in a single row below the controls of the individual sound modules. This arrangement keeps the main panel clear and unobstructed for tweaking the controls during performance.

Needless to say, these patchable connections and the onboard processors can be used to interact with nearly any modular or Eurorack synthesizer system.

3620 Keyboard

While faithful to the original design, the functionality of the 3620 Keyboard has been greatly enhanced for this limited ARP 2600 release. The 3620 Keyboard contains 49 full-size keys, aftertouch, portamento, and is also duophonic, allowing two keys to be played at once – Single or Multiple Triggering is available.

In addition, the duophonic keyboard can use an optional foot switch to lock the interval between any two notes, without retuning the oscillators during performance. Vibrato can be added via a dedicated circuit controlled by aftertouch, or by the onboard LFO (Low Frequency Oscillator), using any of three available waveforms.

Most noticeable is the addition of a flexible Arpeggiator that allows a user-defined pattern to be manually sequenced and played back. Still present are the original Pitch Bend knob and the Two Octave Up / Two Octave Down Transpose switch. Connecting the keyboard to the main unit now uses a secure eight-pin din cable.

Processing Powerhouse

The ARP 2600 reveals its modular nature by the unique assortment of valuable, esoteric, and individually patch-able modules it contains. To begin, there are a set of parallel-wired Multiple jacks that enhance the patching possibilities – allowing the same control signal to be sent to multiple locations, for example.

Three independent Voltage Processors provide scalable control voltages, or can act to attenuate any control signal. Use the Lag Generator to delay the start of any control signal. The Noise Generator is tunable to deliver White, Pink, and Low-Frequency noise, plus everything in between.

A series of three Inverters can reverse the polarity of any signal. The Electronic Switch can be sync’d to either the internal clock or any external clock signal, as can the Sample & Hold rate. Most importantly, the ARP 2600 includes a dedicated Preamp and Envelope Follower for processing an external audio signal.

The Oscillators

ARP Voltage Controlled Oscillators (VCO) are extremely stable in their tuning. All three oscillators feature Initial Tuning and Fine Tuning sliders, and every oscillator can be designated as an LFO (Low Frequency Oscillator) modulating oscillator or as an audio oscillator.

The Filter

The ARP 2600 is equipped with a 4-pole Voltage Controlled Filter (VCF), offering a roll-off curve of -24dB per Octave. As with the oscillators, the ARP 2600 filter also offers a Fine Tuning slider.

The Envelopes

Two Envelope Transient Generators (EG) are available on the ARP 2600. The first is a full four-stage Attack, Decay, Sustain, and Release Envelope.

The Amplifier

In order to produce and output sound, the ARP 2600 relies on a Voltage Controlled Amplifier (VCA) to bring the output up to a suitable level.

Over and Out

Following the VCA, the audio signal of the ARP 2600 passes through the Stereo Mixer section, the internal Spring Reverb tank, and on to the main outputs, the headphone jack, and the internal Left and Right speakers.

  • ARP 2600 FS

    Operating temperature range
    0 – +40 °C (non‐condensing)
    Maximum Polyphony
    2 voices for duo phonic; normally monophonic
    VCO-1 (Voltage Controlled Oscilator 1)
    Sawtooth, square
    Frequency range
    Approx. 0.03 Hz – 30 Hz (low freq. mode)
    Approx. 10 Hz - 10 kHz (audio mode)
    Voltage controlled response
    VCO-2 (Voltage Controlled Oscilator 2)
    Sawtooth, pulse (dynamic pulse), triangle, sine
    Frequency range
    Approx. 0.03 Hz – 30 Hz (low freq. mode)
    Approx. 10 Hz - 10 kHz (audio mode)
    Pulse width
    10% – 90%
    Voltage controlled response
    VCO-3 (Voltage Controlled Oscilator 3)
    Sawtooth, pulse (dynamic pulse)
    Frequency range
    Approx. 0.03 Hz - 30 Hz (low freq. mode)
    Approx. 10 Hz - 10 kHz (audio mode)
    Pulse width
    10% – 90%
    Voltage controlled response
    VCF (Voltage Controlled Filter)
    Low-pass (TYPE I : early 24 dB/oct., TYPE II: late 24 dB/oct.)
    Frequency range
    Approx. 10 Hz - 10 kHz
    1/2 - self oscillate
    VCA (Voltage Controlled Amplifier)
    Control voltage
    AR type (internally connected)
    ADSR type (internally connected)
    Noise generator
    Noise spectrum types (white and pink)
    Analog multiplier
    Input signal (Internally connected)
    VCO-1 sawtooth wave, VCO-2 sine wave
    Sampled signal
    Noise (internally connected)
    Front Panel (LEFT, RIGHT OUTPUT jacks
    φ3.5 mm monaural phone jack
    Maximum output level
    +9 dBu @ 10 kΩ load
    Output impedance
    1.2 kΩ
    Side Panel R
    XLR connector
    Maximum output level
    +4 dBu @ 600Ω load
    Output impedance
    φ6.3 mm stereo phone jack
    Maximum output level
    50 mW + 50 mW @ 33Ω load
    Output impedance
    φ3.5 mm monaural phone jack
    Maximum input level
    −10 dBu
    Input impedance
    MIDI connector
    USB port
    Type B

    ARP 3620 (keyboard unit)

    49-note (with aftertouch, no velocity sensitivity)
    CV output voltage
    −3V–+10V, 1V/oct.
    −3V–+7V, 1V/oct.
    LFO output voltage
    ±5 V, 10 Vp-p
    +10 V, 10 Vp-p
    ±3 V, 6 Vp-p
    EXTERNAL VIBRATO input voltage
    Max. ±10 V
    VIBRATO DEPTH slider
    Max. 1 octave
    VIBRATO DELAY slider
    0 – 2.5 sec
    LFO SPEED slider
    Approx. 0.25 – 25 Hz
    PITCH BEND control
    ±1 octave
    TRANSPOSE switch
    ±2 octave
    Maximum speed: about 0.25 msec/oct
    Minimum speed: about 0.5 sec/oct
    PORTAMENTO foot switch
    KORG PS-1/PS-3 pedal switch
    INTERVAL foot switch
    KORG PS-1/PS-3 pedal switch
    GATE output voltage (on ARP 2600 FS panel)
    0 V at all keys up, +10 V at key on
    TRIGGER output voltage (on ARP 2600 FS panel)
    +10 V, 0.5 ms pulse wave at key on


    Power supply
    AC power supply terminal
    Power consumption
    Dimensions (W × D × H), Weight
    ARP 2600 FS
    836 x 232 x 509 mm / 32.9 x 9.13 x 20.0 inches, 19.3 kg / 42.55 lbs.
    ARP 3620
    914 x 274 x 158 mm / 36.0 x 10.8 x 6.2 inches,11.3 kg / 24.91 lbs.
    Included Items
    Road case, Casters (x4), AC power cord, 8-pin DIN cable, 1,100 mm patch cables (x5), 600 mm patch cables (x5), Owner’s manual, Original English manual (replica)
    Accessories (Sold separately)
    KORG PS-1/PS-3 pedal switch
    * Specifications and appearance are subject to change without notice for improvement.
  • * All product names and company names are the trademarks or registered trademarks of their respective owners

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